Bachelor Machines
In late 2004, songwriter Clint Hoagland stumbled upon the Bachelor Machines, forgotten, in a basement in a remote part of Lansing, Michigan. Mr Hoagland blew the
dust off their screens, connected them back up, and they sprung back into life. The Bachelor Machines - Bachelor #1 and Bachelor #2 - requested audio and visual
information input in the form of 12" LPs, VHS tapes and DVDs, which their human assistant provides them. They take that raw input, process it using operations known
only to themselves, and then they provide their assistant with audio messages.
Drawing their name and their found-object aesthetic from Duchamp and their love of sonic juxtaposition from the Space Age Pop movement of 1960s (not to mention the cut-up artists of more recent years), the Bachelors' music destroys recognizable sounds and restructures them into a comforting sonic world where computers talk, robot waitresses serve ice-cold cocktails, and messages from the home office are sent via pneumatic tube.
Drawing their name and their found-object aesthetic from Duchamp and their love of sonic juxtaposition from the Space Age Pop movement of 1960s (not to mention the cut-up artists of more recent years), the Bachelors' music destroys recognizable sounds and restructures them into a comforting sonic world where computers talk, robot waitresses serve ice-cold cocktails, and messages from the home office are sent via pneumatic tube.
